The flowers are beautiful, but they belong to themselves, not to the vase. She died four months later". Acting is like peeling an onion. You have to peel away each layer to reveal another. I want to make films that are political and social. Films with a message or an idea. Films that dare to ask. If a star is someone who gives light, then I can be a star. But if a star is someone who goes after money and magazine covers then it's sick and I don't want it!
My earliest memory is loneliness. That's a hard thing to live with. I have been proposed to four times. Twice at the beginning of a relationship and twice at the end of a relationship. I've never said no. I just didn't give an answer! I have seen and heard about acts of cruelty and hatred which are hard to comprehend. But I've also seen peace and tranquility like nowhere else on earth".
My real excitement comes when a movie transforms me. When you love the movie you've played in, you can make that bridge back to your own life. Some things I forgot because it was just too much. Certain things I was very amazed by and when I told people close to me about them they just wouldn't believe it.
Everything in there is true. The only way for me to stay young is to let go of youth. You cannot hang on to the past. You cannot try to be young when you're not young anymore. La vie d'une autre Role: Marie Speranski.
Genres: Romance, Comedy, Drama, Mystery. Ma Loute Role: Aude Van Peteghem. Country of My Skull Role: Anna Malan. Jackson , Menzi Ngubane, Sam Ngakane. High Life Role: Beatrice Saulnier.
Mary Liberty belle Elles Bee Season Quelques jours en septembre The Son of No One Cosmopolis Director: David Cronenberg.
La vie de famille Polina, danser sa vie Role: Liria Elsaj. Nadie quiere la noche Role: Josephine Peary. Disengagement Le meilleur de la vie Les nanas Her extraordinary career has brought nuance, intelligence, and that unique radiance to an incredibly diverse range of roles.
She has collaborated with many of the most significant directors of our time to create some of the most memorable cinema of recent decades. This is not a commercial website. Change Log. Mauvais sang is an avant-garde thriller in which she plays Anna the vastly younger lover of Marc Piccoli who falls in love with Alex Denis Lavant , a young thief. Binoche has stated that at the time her English was very limited and that she relied on a French translation to fully grasp her role while learning her lines phonetically.
After this success, Binoche decided to return to France rather than pursue an international career. She has stated that her attraction to this film was that it gave her the opportunity to work with close friends and family. Pradinas is the husband of her sister Marion Stalens who was set photographer on the film and appeared in a cameo role. The film was beset by problems and took three years to complete, requiring investment from three producers and funds from the French government.
When finally released in , Les Amants du Pont-Neuf was a critical success. In the film Binoche portrays an artist who lives rough on the famous Parisian bridge where she meets another young vagrant played by Denis Lavant. This iconic part of the city becomes the backdrop for a wildly passionate love story and some of the most visually arresting images of the city ever created. She also designed the French poster for the film that features an ink drawing of the eponymous lovers locked in embrace.
The film became somewhat contentious when, according to Mike Figgis, HBO altered it once he had completed it. At this point, Binoche seemed to be at a crossroads in her career. She was recognised as one of the most significant French actresses of her generation. Now Binoche chose to pursue an international career outside France.
The s saw Binoche cast in a series of international films that were critical and commercial successes, winning her praise and awards. This period saw her persona develop from that of a young gamine to a more melancholic, tragic presence.
Critics suggested that many of her roles were notable for her almost passive intensity in the face of tragedy and despair.
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